Fela Kuti "Teacher Don't Teach Me Nonsense"

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Fela’s website says this is what was happening in 1984:

“On 4 September, as Fela is about to board a plane from Lagos to New York to start a US tour, he is arrested on charges of currency smuggling. The Afrika 70 musicians board the plane, believing Fela will be allowed to follow on a later flight. Instead, Fela is held pending trial.”

“The band plays a few US gigs then, with no sign of Fela, returns to Nigeria. In court, Fela explains that he declared the £1,600 found on him on a Customs Declaration form, but – to widespread disbelief - the police say that this has been “lost.” Customs officials who offer to testify that Fela is telling the truth are held in detention and so are unable to appear in court. Fela is sentenced to five years. First held in Kiri-Kiri Prison in Lagos, he is then moved to one further away, in Maiduguiri in the north of the country. Femi and Egypt 80 continue to perform at the Shrine.”

  • Visit Fela Kuti’s official website

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Ramsay Midwood Live At Sam's Town Point

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Holiday at the Sea favorite Ramsay Midwood recently posted a four-song set to help raise money to keep Sam’s Town Point going.

4 songs and some chatter...and a chance to fund a bar and some musicians you might like...

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  • Purchase Midwood’s music at Amazon.

  • Browse all posts tagged “Ramsay Midwood”



NPR Gets Spiritualized (2012)

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Thanks to a friend with a great name (Brent. His name is Brent. Actually, you might know him from his previous recommendations here at Holiday at the Sea: An Hour With Pink Floyd), for posting this fantastic 2012 Spiritualized concert from the 9:30 Club in Washington DC. on May 10, 2012.

I don’t know that I really need to say much more other than enjoy.

Setlist:

  • "Hey Jane"

  • "Lord Let It Rain On Me"

  • "Headin' for the Top Now"

  • "Walkin' with Jesus"

  • "Oh Baby"

  • "Rated X"

  • "Born Never Asked"

  • "Electric Mainline"

  • "Soul on Fire"

  • "I Am What I Am" *

  • "Ladies and Gentlemen We Are Floating in Space" *

  • "Mary"

  • "Stay with Me" *

  • "So Long You Pretty Thing" *

  • "She Kissed Me (And It Felt Like a Hit)" *

  • "Come Together" *

  • "Cop Shoot Cop"

NPR’s original page adds the following commentary:

“Pierce almost died twice in the last seven years, once from double-pneumonia and once from degenerative liver disease which necessitated chemotherapy. He recorded Spiritualized's remarkable new record, Sweet Heart Sweet Light, while recovering from the latter, and its songs don't hesitate to leer into the abyss. Even as they swagger and seethe, they document a frail and flawed man's circuitous journey through self-inflicted agonies and righteous redemption, and back around to agony.

That said, a Spiritualized concert is the stuff of big-hearted, spaced-out, bliss-packed joy and celebration. Sweet Heart Sweet Light overtly pursues salvation through divine intervention — it doesn't take a careful parsing of lyrics to figure that out — so it's appropriate that Spiritualized in concert can convey the spirit of a revival show.”

  • Visit Spiritualized’s official website

  • Follow Spiritualized at Facebook

  • Follow Spiritualized at Twitter

  • Support Spiritualized at Bandcamp

  • Purchase Spiritualized’s music at Amazon

  • Visit the NPR page for this show

The Paradise Bangkok Molam International Band

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So much to tell you about here.

Music-loving, like life, is a journey of learning and exploration. I recently posted a live session by Sarathy Korwar and friends for a site called The Boiler Room. I featured Korwar’s track “"Bismillah" from his 2016 album Day To Day on Episode 08 of The Global Elite Music Radio Podcast Supershow.

I had not heard of The Boiler Room before this but I have since become quite enamored. Their Facebook “About” section says:

“Boiler Room televises underground music as it happens from around the world to a massive online community. By doing so, we create windows into scenes and sounds from every corner of the globe, connecting millions of music heads with the specific music they love. This communal participation has redrawn the map for underground culture and proven that mass audiences now subscribe to alternative choice.”

And that’s a vision I can get behind.

I recently came across a 2016 live set from The Paradise Bangkok Molam International Band. I featured the band’s Thai band’s song "Lai Wua (Chasing the Cow)" from their 2016 album Planet Lam on Episode 11 of The Global Elite Music Radio Podcast Supershow.

There is a link on the video’s Youtube page that says: “TRACKLIST & DOWNLOAD HERE” but the link doesn’t go to anything and the video’s page at the Boiler Room page doesn’t include a setlist so if you have that information it would be greatly appreciated. Though not knowing the song titles (or words for that matter) doesn’t inhibit the global choogle.

  • Visit the Paradise Bangkok website.

  • Visit the group on Facebook.

  • Purchase the group's music on Bandcamp.

  • Purchase the album at Amazon.

Eishan Ensemble Live For Phoenix Central Park

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Eishan Ensemble’s Afternoon Tea At Six has been one of my favorite albums 0f 2020. In fact, I recently featured the track “Signs” on my Apothecary of Wonders playlist.

The group’s official website says:

“Led by acclaimed Persian-Australian tar player and composer, Hamed Sadeghi, the quintet Eishan Ensemble draws on contemporary and classical music traditions of both East and West. Eishan’s repertoire consists predominantly of Sadeghi’s original compositions with diverse improvisatory idioms featured powerfully. Variously described as “Persian chamber jazz” and “Middle-Eastern jazz fusion”, Eishan defies neat labels.”

Here is a three-song live set they did earlier this year for Phoenix Central Park.

The deets:

Eishan Ensemble:

  • Hamed Sadeghi | Tar

  • Pedram Layegh | Acoustic guitar

  • Michael Avgenicos | Saxophone

  • Elsen Price | Double bass

  • Adem Yilmaz | Percussion

Songs:

  • Black and White

  • Signs

  • Street

    • Composed by Hamed Sadeghi

  • Visit Eishan Ensemble’s official website

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  • Support Eishan Ensemble at Bandcamp

  • Purchase Eishan Ensemble’s music at Amazon

  • Listen to “Signs” by Eishan Ensemble at the Holiday at the Sea playlist “Apothecary of Wonders”

Playlist: Apothecary of Wonders

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Here is a fun mix I’ve been listening to in the office lately. I thought you might like it.

Sort of works with a musical mood, sort of doesn’t. Just the way I like it.

An international flavor travelogue.

An auditory exploration.

Tracklist:

  1. “Wandering Melodic Road “ by The Tune

  2. “Nobody Knew The Time” by Beasts of Paradise

  3. “Reflection” by Faran Ensemble

  4. “Chyraa Khoor” Huun-Huur-Tu

  5. “Signs” by Eishan Ensemble

  6. “The Imam” by Sun City Girls

  7. “Junkanoo” by Exuma

  8. “Bismillah” by Sarathy Korwar

  9. “Biba Sada Dil Mor De” by Nusrat Fateh Ali Khan

  10. “Shudh Sarang” by Pramod Kumar

  11. “Farah 'Alaiyna (Joy Upon Us)” by Ahmed Abdul-Malik

  12. “Mustt Mustt (Extended)” by Kiran Ahluwalia

  • Browse other Holiday at the Sea playlists.

  • Visit the Global Elite Music Radio Podcast Supershow page where you can find:

    • “Wandering Melodic Road “ by The Tune on Episode 10.

    • "Nobody Knew The Time" by Beasts of Paradise on Episode 13.

    • "Reflection" by Faran Ensemble on Episode 03.

    • “Chyraa Khoor” by Huun-Huur-Tu on Episode 19.

    • "”Esoterica Of Abyssynia” by Sun City Girls on Episode 26.

      • Browse other Holiday at the Sea posts about Sun City Girls

    • "Junkanoo" by Exuma on Episode 10.

    • "Bismillah" by Sarathy Korwar on Episode 08.

      • Browse other Holiday at the Sea posts about Sarathy Korwar

    • "Shudh Sarang" by Pramod Kumar on Episode 03.

    • “Farah 'Alaiyna (Joy Upon Us)” by Ahmed Abdul-Malik on Episode 28.

    • "Mustt Mustt (Extended)" by Kiran Ahluwalia on Episode 02.

      • Browse other Holiday at the Sea posts about Kiran Ahluwalia.

  • Browse other Holiday at the Sea posts about Nusrat Fateh Ali Khan.

  • Download a PDF of the Jewel Case art if you’re in to that sort of thing.

Bill Withers live for Musikladen/Beat Club (1972)

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Bill Withers for German TV show Musikladen/Beat Club (1972).

The Band:

  • Melvin Dunlap on Bass

  • James Gadson on Drums

  • Benorce Blackmon on Guitar

  • Ray Jackson on Keyboard


Setlist:

  • Lonely Town, Lonely Street

  • Ain't No Sunshine

  • Use Me

  • Let Me In Your Life

  • Kissin' My Love

  • Lean On Me

  • Harlem

  • Visit Bill Withers’ official website

  • Like Bill Withers on Facebook

  • Purchase Bill Withers’ music at Amazon

Muddy Waters Copenhagen 1968

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Muddy Waters live at Copenhagen Jazz festival (October 27,1968).

The Band:

  • Muddy Waters - guitar & vocals

  • 'Pee Wee' Madison – guitar

  • Luther "Snakeboy" Johnson - guitar

  • Otis Spann – piano

  • Paul Oscher – harmônica

  • Sonny Wimberley – bass

  • S.P. Leary - drums

Setlist:

  1. "Back At The Chicken Shack" 

  2. "Train Fare Home Blues" 

  3. "(I'm Your) Hoochie Coochie Man" 

  4. "Long Distance Call" 

  5. "Nobody Knows My Trouble" 

  6. "Cold Cold Feeling" 

  7. "Got My Mojo Working" 

  8. "Tiger In Your Tank" 

  • Visit Muddy Waters’ official website

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  • Purchase Muddy Waters’ music at Amazon

Bob Marley and the Wailers, Rockpalast (06/13/80)

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One of the fun parts of doing this music blog has been revisiting concerts that I first came across through tape-trading. I don’t know if you were ever part of that culture, but I have a lot of good memories and was privy to a lot of great music through the U.S. postal system. I once had stacks of tapes of CDRs that I wish I had kept. But sometimes life leads you in other directions and you revisit those memories through the Internet.

Today we’re re-visiting Bob Marley and the Wailers live for Rockpalast (06/13/80). I gave this CDR away several years ago during one of our moves, but I have kept digital versions of the show. Until just the other day, I didn’t know that video of the show existed (I know, I know, you all knew this video existed a long time ago). But it does and it’s worth your time.

The Dealio:

  • Bob Marley & The Wailers at Westfalenhalle (06.13.80, Dortmund)

  • Filmed for the German live music television program Rockpalast.

Setlist:

  • Marley Chant

  • Natural Mystic

  • Positive Vibration

  • Revolution

  • I Shot the Sheriff  

  • War

  • No More Trouble  

  • Zimbabwe

  • Jamming

  • No Woman, No Cry

  • Zion Train

  • Exodus

Encore 01:

  • Redemption Song

  • Could You Be Loved

  • Work

  • Natty Dread

  • Is This Love

  • Get Up, Stand Up  

Encore 02:

  • Coming in From the Cold

  • Lively Up Yourself

  • Visit Bob Marley’s official website

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  • Purchase Bob Marley’s music at Amazon

  • Browse all posts labeled Bob Marley

Stevie Wonder live for Musikladen/Beat Club (1974)

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Get down with Stevie Wonder live on the German television program Musikladen/Beat Club in 1974.

The Youtube page provides the following information:

“Stevie Wonder 1974 concert on German TV show Musikladen/Beat Club.

I recorded from the European TV channel VH1 in 2003. I wish this would be released on DVD! If someone can help me identify the musicians, it would be great. One of the ladies, Afro and a polo shirt, singing backing vocals is Denice Williams. She was part of Wonder's female background singing group Wonderlove. I think this is the partial lineup, based on what Stevie says at 23.15: Reggie McBride plays bass. Michael "Mike" Sembello on guitar and keys, Ollie E. Brown on drums.”

Setlist:

  1. Jam

  2. Contusion

  3. Higher Ground

  4. Don't You Worry 'Bout A Thing

  5. I Can See The Sun In Late December

  6. He's Misstra Know-It-All

  7. Living For The City

  8. Superstition

  • Visit Stevie Wonder’s official website

  • Follow Stevie Wonder at Facebook

  • Purchase Stevie Wonder’s music at Amazon



Rainer Plays That Voodoo Music

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The relevant information:

Rainer Ptacek performing "Voodoo Music" in the kitchen of "The 818 Club" during a live cablecast of the local music show "Electric Window".

  • Hosted and Produced by Chris Wagganer

  • Cameras: Don Dalen, Chris Babbie, Ben Minot

  • Audio: David Slutes

  • Engineering: Roy Knappenberger, Chris Babbie

  • Cablecast Support: Mark Taylor

June 6, 1986

  • Visit Rainer Ptacek’s official website.

  • Purchase Rainer’s music at Bandcamp.

  • Purchase Rainer’s music at Amazon.

  • Visit previous posts about Rainer.

Grateful Dead: Playing In The Jam (A Holiday At The Sea Mix)

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Ever wonder what “Playing In The Band” might sound like as an extended instrumental free-jazz-space-rock suite? Well, I did.

Inspired by Save Your Face and their various Grateful Dead mixes, I edited six different performances of “Playing In The Band” into an instrumental suite.

I’m not entirely happy with a couple of the transitions, but I dig how it turned out overall, seeing as how I am not a professional, I didn’t actually spend that much time on this, and I really only made this for myself to listen to either while I work or commuting. Enjoy.

Here are the deets for the six pieces making up the Suite:

  • 00:00 - 11:39 :: 09.21.72 at the The Spectrum in Philadelphia, PA (released as Dicks’s Picks 36)

  • 11:39-25:45 :: 03.24.73 at the The Spectrum in Philadelphia, PA

  • 25:245 - 34:47 :: 11.10.73 at Winterland Arena in San Francisco, CA (released as part of Winterland 1973: The Complete Recordings)

  • 34:47 - 44:09 :: 05.17.77 at Memorial Coliseum, U of Alabama, MS (released as part of May 1977)

  • 44:09: 52:31 :: 05.28.77 at at Hartford Civic Center, Hartford, CT (released as To Terrapin: Hartford '77)

  • 52:31 - 56:27 :: 05.28.77 at at Hartford Civic Center, Hartford, CT (released as To Terrapin: Hartford '77)

I chose these performances for no real reason other than that this is the time-period of the Dead that I listen to most and these shows happened to be on my laptop when I decided to try out this idea.

And if all that weren’t enough goodness, here’s an instrumental edit of the mammoth “Playing In The Band” from the Pacific Northwest '73-'74: Believe it If You Need It (Live) set (Live at Hec Edmundson Pavillion, University of Washington, Seattle, WA 5/21/74).

Enjoy.

  • Visit the Grateful Dead’s official website.

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  • Purchase Grateful Dead music on Amazon.

Southern Jukebox Music Presents Bitchin Bajas (02.14.18)

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Being a music fan is highly a subjective thing. We all have different preferences and that includes band names. I don’t care how good you tell me they are, I just can’t see myself listening to a whole of Diarrhea Planet. Or Radical Face while I’m thinking of it. But, then again, everything is subjective and subject to change, right?

Despite years of reading such enticing descriptions as “expansive, looping, shifting synths and rhythms” and even despite their ties to Holiday at the Sea favorite Natural Information Society, I resisted the music of Bithin Bajas because of their name.

But the good folks over at Southern Jukebox Music remind us of why sometimes it’s worth looking past the name. Bitchin Bajas “is a band operated as a side-project by Cooper Crain, who is also guitarist/organist of the band Cave. The other members are Dan Quinlivan and Rob Frye.” Southern Jukebox Music is the project of Matt Beachey who records live performances on a Realistic TR-3000 reel-to-reel. Yes, he lugs that thing to and from shows. Why? He says:

I choose to record shows this way because (a: I just dig the sound of almost anything on tape, and I still haven't found a satisfactory substitute, and (b: I find that sometimes setting up a weird, clunky process of recording invites unique performances out of people. Digital recording has done wonders in democratizing the art of on-the-fly live recording; still, I think there’s something worth keeping around about the way sound waves cling to the iron grains of magnetic tape, and then play back a little jumbled up—a slightly impressionistic version of whatever was recorded. And I guess maybe I feel a sort of kinship with bootleggers of yore who hauled their reels to Grateful Dead shows, putting in the extra effort to make a lasting record of the night, albeit a colored and faded one. Sometimes a grimy record of the past better suits your memory anyway.

Whatever the reasons, we’re glad he does it and happy to support on Bandcamp where any proceeds will go to the artist. We first featured a selection from Southern Jukebox Music in August 2019 with Chris Forsyth and the Broken Mirrors Motel Band’s 07.11.19 performance. Today we feature Bitchin Bajas “Live at the 7th Street Entry.”

The Deets:

  • Live at the 7th Street Entry. Any proceeds will go to the artist.

  • Released June 15, 2018.

  • Composed and performed by Bitchin Bajas, recorded and mixed by Matt Beachey

Kiran Ahluwalia and Souad Massi At KEXP

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I first came across Kiran Ahluwalia while doing research for the Global Elite Music Radio Podcast Supershow. I highlighted her track (featuring Tinariwen) “Mustt Mustt (Extended) on Episode 02 and have followed her ever since.

The other day I came across a 2018 live performance for KEXP along with Souad Massi, who was new to me.

From the video’s Youtube page:

http://KEXP.ORG presents Souad Massi and Kiran Ahluwalia performing live in the KEXP studio.
Recorded April 19, 2018.

Songs:

  • Kiran Alhuwalia - Khafa (Up In Arms)

  • Kiran Alhuwalia - Saat (Seven)

  • Souad Massi - Hayati

  • Souad Massi - Amessa

  • Souad Massi & Kiran Alhuwalia - Deb

Host: Darek Mazzone
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Scott Holpainen & Justin Wilmore
Editor: Justin Wilmore

  • Visit Kiran Ahluwalia’s official website

  • Follow Kiran Ahluwalia at Facebook

  • Purchase Kiran Ahluwalia at Bandcamp

  • Purchase Kiran Ahluwalia’s music at Amazon

  • Listen to "Mustt Mustt (Extended)" by Kiran Ahluwalia on Episode 02 of The Global Elite Music Radio Podcast Supershow

  • Visit Souad Massi’s page at Your European Stage

  • Follow Souad Massi at Facebook

  • Purchase Souad Massi’s music at Amazon.

Sarathy Korwar and Friends For Boiler Room

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The fantastic Boiler Room has been putting out some terrific content as part of their “Streaming From Isolation” series. Holiday at the Sea favorite Sarathy Korwar recently gathered two songs for a half-hour performance. From the Boiler Room page:

A very exclusive & exciting multi-way jam w/ Sarathy Korwar & friends from London & beyond.

From Sarathy Korwar’s Facebook page:

Tunes:
”Raga Malkauns” - Charanjit Singh (from 10 Ragas to a Disco Beat)
”In C” - Terry Riley

Players:

  • Bex Burch - Gyil/Bells/Water Drums

  • Tamar Osborn - Horns

  • Al MacSween - Synths, Harmonium

  • Dan Leavers - Synths

  • Sarathy Korwar - Drums/Tabla/Udu

  • Visit Sarathy Korwar's official website

  • Purchase the album at Bandcamp

  • Visit Korwar's Facebook page

  • Visit Korwar's Twitter

  • Purchase the album from Amazon
    Listen to "Bismillah" by Sarathy Korwar on Episode 08 of The Global Elite Music Radio Podcast Supershow

  • Browse all Holiday at the Sea posts tagged Sarathy Korwar

Phil Cook and Oliver Wood Cover John Prine In Quarantine

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The other day Phil Cook posted to his Instagram page:

That’s The Way The World Goes Round by John Prine

I got a text from Oliver Wood over a year ago wanting to get together and spend a day with him in Nashville writing music. I was nervous and excited as Oliver was one of my favorite songwriters and singers around. We hit it off famously and have gotten together more since then. We were supposed to spend a week together in April but those plans got shut down by the pandemic. So we found something else to work on together. Today we lovingly and humbly dedicate our version of John Prine’s “That’s The Way The World Goes Round” to Fiona , Jody, Tommy and Jack. Long Live John Prine!”

Oliver Wood commented:

Excited about collaborating with my musical soulmate Phil Cook He took my plain rendition of a John Prine classic and made it a party. Here’s to many more parties and collaborations Phil! And Much love to the Prine family.

Enjoy (and, sorry, I don’t know why that huge “comments” section is there).

  • Visit Phil Cook’s official website.

  • Follow Phil Cook at Facebook.

  • Follow Phil Cook at Twitter.

  • Support Phil Cook at Bandcamp.

  • Purchase Phil Cook’s music at Amazon.

  • Listen to “Another Mother’s Son” by Phil Cook in the Musical Worldview Project (finding wisdom in lyrics).

  • Visit The Wood Brothers’ official website

  • Follow The Wood Brothers at Facebook

  • Follow The Wood Brothers at Twitter

  • Support The Wood Brothers at Bandcamp

  • Purchase The Wood Brothers’ music at Amazon

Akron/Family Live At Ekkko (2006)

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I was digging through Ye Ole CDR spindle the other day and came across this 2006 live set from Akron/Family. If you’re not familiar with the band, think one of those geographically spread out bands that comes together to make blissed out space-folk for the existential campfire singalongs.

Anyway, I was going to upload it here and did a quick search only to find that the band themselves have already uploaded it at the amazing Live Music Archive.

Akron/Family Live at Ekko on 2006-04-14

  • Visit Akron/Family at Facebook

  • Support Akron/Family at Bandcamp

  • Visit Akron/Family’s page at the Live Music Archive for lots more shows

  • Purchase Akron/Family’s music at Amazon

Anathallo Live In Japan

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Anathallo was a band from Michigan (though they later relocated to Chicago if I remember correctly?). The fluctuated in size and the arrangements grew in complexity and beauty. The early recordings are great but they don’t quite yet arrive at the sophistication of the later work. And isn’t that all of us? Hopefully as we grow older we also mature and grow more nuanced in our thinking, even learning to allow time for the quiet moments which are as much part of the story as the loud parts. Can you really feel a crescendo when it’s all loud to begin with? The hills and valleys of the journey. And I’m rambling.

So allow me to ramble a bit more.

I’m sure you know what I mean when I say that music often carries with it memories and feelings associated with particular time periods. Certain albums or artists or songs often carry with them very specific memories. And now I’m digressing. Let me get back to rambling.

I have always loved music. That’s just part of who I am. And in hindsight, I should have paid more attention to the red flags early on. I had just graduated seminary and was moving in to my first role as “Lead Pastor,” though this church used the title “Teaching Pastor.” My family had not yet moved from Kentucky to Texas yet but we had already accepted the position and I flew to Minneapolis to meet the staff and elders for a pastors conference.

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I was wearing a Tortoise shirt that disappeared some time over the years. It was yellow and I wish I still had it. I was in the elevator with one of the staff members who made a comment about liking my shirt and being surprised that the new pastor knew who Tortoise is but that I might want to keep things like that to myself because the other leaders weren’t really into secular music. I’m paraphrasing of course, but you get the gist. And then we moved there.

I don’t know if you’ve ever visited a church that just didn’t feel like “home”? If you have, then you might be able to imagine pastoring a church where you felt like that all of the time. If you’ve never had that experience, just imagine that you are continually not allowed to be yourself because when you do, it just seems to cause trouble, so you create a version of yourself that pleases the other people and you have to live in it 24 hours a day. It’s something like that.

Anathallo was touring the amazing Floating World album and I took several of the college students in the church to go see them. The next day I got called in to my own office where I rebuked by the other elders of the church because I was a small group leader and had missed small group in order to attend the concert. Even though I arranged for someone to facilitate in my absence. And, even though I knew it already, it was then confirmed for me the rest of the leadership of that church and I shared very different visions and approaches. It was totally worth it.

We left Texas in 2008 and Anathallo went on “indefinite" hiatus in 2009 and I guess that’s my story.

Here is a full show from the band’s 2008 tour. Apparently this was released on a very limited (now out of print I think ) tour DVD which some fine person uploaded for the rest of us and I could pass it along to you and we could watch it together. Let’s:

From the video’s Youtube page:

Anathallo @ O-Nest Japan during their 2008 tour. I was searching for this for a long time and couldn't find it anywhere. Finally got a hold of the DVD from Japan. Absolutely fantastic band, lucky to have seen them live a few times.

  1. Dokkoise House 00:00

  2. John J. Audubon 07:05

  3. Hanasakajijii (four: a great wind, more ash) 10:55

  4. Hanasakajijii (one: an angry neighbor) 15:25

  5. Hanasakajijii (two: floating world) 18:55

  6. Italo 25:20

  7. Northern lights 28:42

  8. Holiday At The Sea 32:26

  9. All the First Pages 39:15

  10. Cuckoo Spring Blood (Encore) 45:40

  11. Kasa no hone (Encore) 49:00


Starflyer 59 Reclines

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Starflyer 59 is the long-running Southern California shimmery guitar pop project led by Jason Martin. The band has been filled out by a revolving cast of players over the years, but the sound has remained consistent.

It can be a powerful thing when an artist finds their voice. Martin has crafted a musical world in which, you know it’s a Starflyer 59 song, but somehow each one is unique. Martin has created a musical world made up of variations on surfgaze (a term I think I made up about Southern California bands drawing from the shimmer of Shoegaze) without sounding repetitive.

Last week Martin released his latest single, “This Recliner.”

Check it.

Lyrics:
I feel a hanging cloud over my head and I’m sore, and my insides hurt like never before so what if I get out just to get back in, it’s what I’m living through and living in so when I’m laid out on my back, everything is cold on this recliner It’s when I toss and turn the most, I just wanna go where I’m not tired There’s a stormy cloud over my head and what’s more, and my insides hurt down to the core so what if I get out just to get back in, it’s what I’m living through and living in so when I’m laid out on my back, everything is cold on this recliner It’s when I toss and turn the most, I just wanna go where I’m not tired

Misc. Notes:
The track was recorded at Le Shed Studio, mixed by JR McNeely, and mastered by TW Walsh. The players on this track are: J. Martin (vox, guitar), S. Dali (bass), and C. Martin (drums). Lyrically the song is ultra autobiographical. For undisclosed reasons, Martin spent a handful of nights in the hospital this February. The Recliner recounts his own worry, discomfort, and the yearning to feel safe and well.

  • Visit the official Starflyer 59 website

  • Follow Starflyer 59 at Facebook

  • Follow Starflyer 59 at Twitter

  • Read “A Primer on Christian Alternative Rock: Starflyer 59” at Christian Humanist from 2016

  • Purchase Starflyer 59 music at Amazon

Edie Brickell and the New Bohemians, RFK Stadium, 1990

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If you spent any time “tape trading” after the advent of CDRs, you probably had at least one spindle of shows. At one point I had lots of such spindles. I thought that I had gotten rid of most of them over the years, but I came across one the other day and this was the show right on top so I figured why not share (especially when someone has already archived it at the Live Music Archive).

July 1990 saw Edie Brickell and the New Bohemians opening for the Grateful Dead at Washington D.C.’s RFK stadium (read some brief thoughts from Edie Brickell about her history with the band). I’m pretty sure this would have been right around the time Brickell’s second album, the often-overlooked gem Ghost of a Dog came out.

Edie Brickell and New Bohemians Live at Robert F. Kennedy Stadium on 1990-07-12

Edie Brickell & New Bohemians
7/12/1990
Robert F. Kennedy Stadium, Washington, D.C.

Setlist:
1. She [05:52.41]
2. Nothing [05:02.74]
3. Woyaho [02:50.35]
4. Oh To Be [04:39.60]
5. Stwisted [04:18.29]
6. Carmelito [04:57.08]
7. 10,000 Angels [06:21.23]
8. Strings Of Love [04:35.09]
9. Forgiven [06:12.65]
10. Wait A While [04:47.67]
11. Love Like We Do [05:01.41]

  • Visit Edie Brickell’s official website

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  • Purchase Edie Brickell’s music at Amazon

  • Visit the page for this show at the Live Music Archive to stream or download for yourself

  • Download the show for yourself