Yesterday’s Daniel Lanois double-whammy reminded me of this 20-minute instrumental jam. Daniel Lanois, Jim Wilson and Steve Nistor are caught “rehearsing” but no other context was given. Maybe you know? Maybe you don’t.
Enjoy.
I am fascinated by these two short live sets from Daniel Lanois. Both feature the same trio of Lanios, Jim Wilson and Brian Blade. The two videos appeared less than a month apart but represent two very different live sets. The WFUV set says it was posted 12/29/14 (recorded on 11/11/14) and the NPR Tiny Desk show says it was posted 01/14/15 (not sure of the recorded date). So, like 16 or 17 days apart, these two videos both appeared representing the same trio with wildly different results and I can’t get enough.
In the WFUV set, Lanois focuses on pedal steel guitar and bassist Jim Wilson plays what appear to be the foot pedals of an organ? Anyone more knowledgeable than me as to what he is doing over there? The NPR Tiny Desk set features Blade on drums, Wilson on bass and Lanois on knobs. Seriously, I understand that things like modular synthesizers exist, it’s just beyond me how someone can get those sounds to come out of a switchboard.
Notes/Setlist:
"Aquatic/Sonho Dourado/JJ Leaves L.A." live in Studio A. Recorded November 11th, 2014.
Important People:
Host: Darren Devivo
Cameras: Caroline Inzucchi & Deirdre Hynes Editor:
Caroline Inzucchi & Deirdre Hynes
And, the Tiny Desk Concert is one of my favorite things ever. I even downloaded the audio from the NPR site and cut it into individual tracks and I listen to it all the time.
The Tiny Desk Concert Youtube page says that Lanois “led an all-instrumental, somewhat improvisational trio based on the sort of studio processing for which he's become famous. In essence, he brought the studio out of the studio — with the aid of two great players, drummer Brian Blade and bassist Jim Wilson — and directly to my desk. The title of Lanois' new album, Flesh And Machine, describes the music well. He never says a word, but he sculpts some serious, hypnotic sounds.”
Setlist:
"Sci Fi"
"Elevator"
"Apres Calypso"
Important People:
Producers: Bob Boilen, Maggie Starbard;
Audio Engineer: Kevin Wait;
Videographers: Colin Marshall, Maggie Starbard;
Assistant Producer: Susan Hale Thomas;
photo by Susan Hale Thomas/NPR
PJ Harvey live for Sessions at West 54th with host David Byrne. 11/10/98.
Setlist:
Catherine
Civil War Correspondent
Taut My Beautiful Leah
I Think I'm a Mother
Is This Desire?
Singer-songwriter (and former front-man of Soul Coughing) Mike Doughty and long-time collaborator Andrew “Scrap” Livingston have formed a new group called Ghost of Vroom. Their debut EP, Ghost of Vroom 2 is due out September 25 on Mod y Vi Records.
The lead single “Rona Pollona” was recently released and features production and mixing work by Mario Caldato Jr.. According to a recent interview with Stereogum, Doughty has intentionally begun to revisit the spirit of Soul Coughing, a part of Doughty’s history that he has expressed mixed feelings about to say the least. The same energy is definitely present and the new track resembles Soul Coughing a bit more than some of Doughty’s more singer-songwritery stuff. I’m excited to hear the rest.
Enjoy.
Pre-Order "Ghost of Vroom 2" Vinyl on Mike Doughty's online store: http://bit.ly/VroomVinyl
I first came across Bassekou Kouyate & Ngoni Ba when doing the Global Elite Music Radio Podcast Supershow and featured their track “Miri” in February, 2019 on Episode 37.
Bassekou Kouyate started playing the Ngoni at age 12. The Ngoni is a traditional Malian guitar. The body of the instrument is made of wood or calabash with dried animal skin head stretched over. This traditional instrument is believed by many to be the precursor to the banjo.
In 2015, Bassekou Kouyate & Ngoni Ba played a live set for KEXP and today seems like as good a time as any to revisit that wonderful set.
Setlist:
Musow Fanga
Jama ko
Abe Sumaya
Siran Fen
Important People:
Host: Rhythma
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Scott Holpainen & Justin Wilmore
Editor: Scott Holpainen
Today we return to the Sessions at West 54th archives. Meshell Ndegeocello live for Sessions at West 54th. Season 01 with host Chris Douridas (09/13/97).
Setlist:
Step in to the Projects
The Way
Ecclesiastes - Free my Heart
God Shiva
Players:
Meshell Ndegeocello - bass/keys/vocals,
Gene Lake - drums,
David Dyson - bass,
Federico Gonzalez Pena - Keys,
Allen Cato - guitar/vocals,
Byron Jackson - vocals,
Alfredo Mojica - percussion
I have made no secret of my love for Dub music. And you can’t love Dub music without reckoning with Lee “Scratch” Perry.
Yesterday we watched the
Today we’re watching another documentary about Perry. This one narrated by Benicio Del Toro. The Upsetter: The Life and Music of Lee Scratch Perry.
Enjoy.
This one’s audio only but well worth your time.
April 9, 1970 Fillmore West, San Francisco, California opening for The Grateful Dead.
Personnel:
Miles Davis: Miles Davis (tpt);
Steve Grossman (ss);
Chick Corea (el-p);
Dave Holland (b, el-b);
Jack De Johnette (d);
Airto Moreira (perc)
Setlist:
“Directions” (J. Zawinul)
“Miles Runs the Voodoo Down” (M. Davis)
“This” (C. Corea)
“It's About That Time” (M. Davis)
“I Fall in Love Too Easily” (S. Cahn-J. Styne)
“Sanctuary” (W. Shorter-M. Davis)
“Spanish Key” (M. Davis)
“Bitches Brew” (M. Davis)
“The Theme” (M. Davis)
Concert recording, soundboard source
I have this personal website compartmentalized because I realize that not every one of my friends is interested in exactly the same set of things that I am. And that’s not only “OK”, it’s beautiful.
However, I think everyone should love Lee “Scratch” Perry. If you’re not familiar with this brilliant artist, I suggest you get familiar with Google.
And I also suggest starting with this off-beat documentary: Lee Scratch Perry's Vision of Paradise | True Godfather of Reggae.
Another installment in the Dubspace series, this time highlighting harmonica.
I know not everyone likes harmonica in their dub (Brainwashed says of the Lee “Scratch” Perry tracks featured here as including: “a few questionable harmonica intrusions”) but piss on it. Music-loving is subjective and I like harmonica in my dub. Maybe you will too.
This playlist features some repeat artists from the same albums so I’ve just included the albums represented for the visuals rather than every track.
Enjoy.
Tracklisting:
‘Melody Maker’ by Keith Hudson
‘Verdict in Dub’ by Clive Chin
‘Whatever We Do’ by Ruts D.C.
‘Enlightened’ by Lee “Scratch” Perry
‘Last of the Jestering’ by Clive Chin
‘Militant’ by Ruts D.C.
‘Space Craft’ by Lee “Scratch” Perry
‘Shi-cago’ by Dennis Bovell
‘Wire Dub’ by Clive Chin
‘Sonny’s Lettah (Anti-Sus Poem) by Linton Kwesi Johnson
‘Rhythm Collision’ by Ruts D.C.
‘Heavy Rainford’ by Lee “Scratch” Perry
‘Dubwise Situation’ by Clive Chin
‘Melody Maker Version 2 (Harmonica and Bongo Drum) by The Chuckles (from the Hudson Affair compilation)
Listen/Download Dubspace 01
Listen/Download Dubspace 02
Listen/Download other Holiday at the Sea music playlists
The Greek word anathallo means “To renew, cause to grow, or bloom again,” which is an appropriate umbrella for the band of that name. The band’s music is hard to categorize but yet familiar, experimental yet accessible and often focuses on the themes of renewal and redemption.
In 2004, the band recorded an EP simply entitled “Hymns,” a surprisingly sparse and traditional take on six hymns. The short release demonstrates the band’s loving attention to detail and the creation of ambiance and emotion, not simply through the lyrics but also the music itself. Incorporating many of the harmonies and odd instrumentations of their other releases the release, for the most part, they remain true to the hymns themselves; honoring their content. The presentation is both humble and heartfelt, something missing in many “worship” recordings of late.
This was a limited release with all proceeds going to support a homeless mission. It remains out of print (and from what I understand, will not be reprinted) and therefore remains a mystery to many. I was lucky enough to purchase one of the few available copies several years ago and with the band’s permission, I am making the entire release available for download.
You can stream or download the EP as a single file here or jump below to download a zip file of individual songs and artwork.
Enjoy.
Tracklisting:
It is Well With My Soul
I Need Thee Every Hour
Come Ye Sinners, Poor and Needy
All Creatures of Our God and King
Before the Throne of God Above
Wondrous Love
This is one of the best things I’ve seen in a long time. Someone on Twitter posted a link to the live video for the song“Quarantine time with Warrior music” (which I have included below) and I was hooked.
Back when I was doing the Global Elite Music Radio Podcast Supershow, this definitely would have been featured prominently. Enjoy these three videos and do some digging on your own. Lots to discover.
“Fulu Miziki is a collective of artists who comes straight from a future where humans have reconciled with mother earth and with themselves. This multidisciplinary collective of artists is based in the heart of the Congolese capital city Kinshasa and was founded by Pisko Crane. For several years now, it’s founder Pisko has spent an amount of time conceptualizing an orchestra made from objects found in the trash, constantly changing instruments, always in search of new sounds.
Couples of years ago, Pisko Crane joined efforts with performing artist Aicha Mena Kanieba who, with Le Meilleur, DeBoul, La Roche, Padou, Sekelembele, and Tche Tche formed the Eco-Afro-Futuristic punk ensemble Fulu Miziki. Making our own performance costumes, masks and instruments is essential to their approach of Fulu Miziki’s musical ideology. Their unique sound supports a pan-African message of artistic liberation, peace and a severe look at the ecological situation of the Democratic Republic of Congo and the whole world. For Fulu everything can be recovered and re-enchanted.”
Time to revisit the Sessions at West 54th Street archives with this gem from Season 01 with host Chris Douridas.
Tracklisting:
‘Tear My Stillhouse Down’
‘Acony Bell’
‘Caleb Meyer’
‘Paper Wings’
‘Orphan Girl’
I made a lot of great musical discoveries from all over the world while doing the Global Elite Music Radio Podcast Supershow. One of my favorites was 더튠 The Tune.
Here is 더튠 The Tune live at “Club Positive ZERO, Seoul, 26 Sep. ‘Youth Song / Cancion Juvenil'.”
Here is 더튠 The Tune live at “Club Positive ZERO, Seoul, 26 Sep. ‘Play with God / Juega con dios”
I don’t know a thing about this performance. Not a year. Not the setlist.
But, gosh-dang if it ain’t pretty and well worth a half hour of your time. “Seoul” (the first song) is one of my favorite songs and surely the prettiest song featuring song and desk bells you’ve ever heard, right?
A Holiday at the Sea playlist of 20 more Dub heavy hitters.
Tracklisting:
“Binshaker Dub Plate” by Twilight Circus Dub Sound System
“Black Rock” by Black Jade
“Daisy Temple” by Serge Gainsbourg
“Fence Dub” by Vital Dub
“Mother Liza” by Jimmy Radway
“Fire Bun” by Ja-Man All Stars
“Worrier” by Joe Gibbs
“Dub MPLA” by Tappa Zukie
“Bubble Up” by Wayne Jarrett
“Zombie Zones” by Dennis Bovell
“Dub To The Vein” by Skin, Flesh & Bones
“Jungle Shuffle” by Morwell Unlimited
“Satisfied Dub” by Ossie Hibert
“Dub Out” by Oku Onoura
“JBC Days & Proper Education Dub” by Mikey Dread
“White Whale” by Ranking Barnabas
“Dem Never Know” by Rhythm & Sound (with Jah Cotton)
“Tempo Dub” by Rupie Edwards All Stars
“Channel One In Dub” by Linval Thompson
“Genesis 1-11” by Sly and the Revolutionaries
Browse other Holiday at the Sea music playlists
Listen to/Download Dubspace 01.
“The Sex Pistols - Full Concert
Recorded Live: 1/14/1978 - Winterland (San Francisco, CA)”
Setlist:
0:00:00 - God Save The Queen
0:04:13 - I Wanna Be Me
0:08:19 - I'm A Lazy Sod
0:10:42 - New York
0:14:25 - EMI
0:18:09 - Belsen Was A Gas
0:20:22 - Bodies
0:25:15 - Holidays In The Sun
0:29:19 - Liar
0:34:15 - No Feelings
0:37:18 - Problems
0:41:56 - Pretty Vacant
0:45:14 - Anarchy In The UK
0:49:00 - No Fun
The Players:
Johnny Rotten - lead vocals
Sid Vicious - bass, vocals
Steve Jones - guitar, vocals
Paul Cook - drums
“October 18, 1989
Chelsea Studios, New York City, New York
Miles Davis (tpt); Kenny Garrett (fl -1, as -2, 3); David Sanborn (as -1, 3); Joe "Foley" McCreary (g -1, 3); Adam Holzman (synth); Marcus Miller (el-b -1, 3, fretless el-b -2); Ricky Wellman (d); Don Alias (perc -1, 3)
Sellist:
Tutu
Mr. Pastorius
Hannibal
TV broadcast by NBC-TV: Night Music with David Sanborn”
