Heard Too Late 2023 :: Dosh, Ismaily, Young

in , , , , , , ,

Yesterday we began a short series of posts highlighting 2023 albums I didn’t get a chance to spend enough time with prior to compiling my year-end list with Lee Gallagher and the Hallelujah’s “The Falcon Ate The Flower.”

Next up is the self-titled release from Dosh, Ismaily, Young. Featuring “drummer Marty Dosh (Dosh, Andrew Bird, Fog), bassist Shahzad Ismaily (Marc Ribot’s Ceramic Dog, Secret Chiefs 3, Arooj Aftub), and guitarist Tim Young (Wayne Horvitz’s Zony Mash, David Sylvian, Michael White).”

With Shazad already appearing on the 2023 round up with Love In Exile by Arooj Aftab, Vijay Iyer, Shahzad Ismaily, this marks Ismaily’s second appearance on my favorite albums of 2023.

This is not so much a review as a profile, so I take no shame in quoting the Bandcamp page to help you get a picture of this wild ride: “On their debut self-titled release, these master musicians effortlessly deliver six solid tracks including an 11-minute krautrock mindblower, a meditation on the end of the world, and explorations into Stax-soul, space-rock, and free-jazz.”

If you’ve taken the time and effort to read this far, it’s probably because we share the same music vibes. I highly recommend this release, especially since physical copies are in short supply.

Watch the official video for the opening track, “Blast:”

  • Support Dosh, Ismaily, Young at Bandcamp

  • Purchase Dosh, Ismaily, Young’s music at Amazon

Heard Too Late 2023 :: Lee Gallagher And The Hallelujah :: The Falcon Ate The Flower

in , , , ,

Welcome to Heard Too Late, a short series of posts where I highlight artists and albums I didn’t spend enough time with to put on my 2023 year-end list. However, with hindsight being what it is and all, it is safe to say that if I had heard these albums sooner, they would most definitely have made the cut.

First up is “The Falcon Ate The Flower” by Lee Gallagher And The Hallelujah. As you might ascertain from the name, Gallagher’s CA (by way of Ohio) cosmic country space rock taps in to the spiritual side of life without being preachy. Maybe we’ll call it existential rock? Anyways, having recorded with Victoria Williams and others after moving to CA, Gallagher has continued to expand his sound and scope. Reviewers and biographers are quick to point to Gram Parsons, Workingman’s Dead, Humble Pie, and, surprisingly enough Rod Stewart (that last one came up a few times!) and, of course; all of these apply, but only as touch-points.

Album opener “Planes” soars in perhaps the most psychedelic country jam the album reaches, but it sets a great opening bar. Though “The Falcon Ate The Flower” doesn’t quite reach those same heights throughout the rest of the album’s songs, we take a journey through ballads, and no review would be complete without mentioning the stellar performances by violin legend Scarlet Rivera (probably best known to this crowd by her appearances in the Rolling Thunder Revue. She here appears on the tracks “Something Better,” & “Can Anyone Hear Me?”, both of which are well worth your time.

Head out on a road trip. Blare this and then let’s talk.

Watch the official video for “Baby I’m There:”

Listen to “Something Better:”

Listen to Half Lit (The Future’s Ours):

  • Visit Lee Gallagher’s official site

  • Support Lee Gallagher at Bandcamp

  • Purchase Lee Gallagher’s music at Amazon