Hope Is A Mood More Than A Color (A Holiday At The Sea Playlist)

Screen Shot 2020-03-15 at 3.07.39 PM.png

I was going through some old files on my computer the other day and I came across the art for a mix called “Hope Is A Mood More Than A Color”. I don’t remember making this mix but I do remember listening to it in the car.

I have racked my brain trying to remember the circumstances of putting together this mix and I can’t. Oh well, because the title and mood of the mix certainly seemed like they would be appropriate for the current coronavirus social distancing experiment. So, no matter where you currently find yourself on the social distancing scale, enjoy some music:

Tracklisting:

  • “Distress Signal” by Jeremy Casella

  • “Guess I’m Doing Fine” by Beck

  • “Don’t Be Sad” by Whiskeytown

  • “Fires” by David Ramirez

  • “Day O Day (Love So Free)” by Hiss Golden Messenger

  • Shelter From The Storm by Bob Dylan

  • “Wild Horses” by the Rolling Stones

  • “Everything (Overture")” by Chris Bathgate

  • “Hope” by Dirty Three

  • “Old Man’s Town” by the Hollands!

  • “Keep Your Head Up” by Ben Howard

  • “Headache” by Seryn

  • “Letting Go And Holding On” by Shawn Skinner and the Men of Reason

  • “Western States” by Matt Haeck

  • “Good Good End” by Waterdeep

  • Browse all the Holiday at the Sea playlists.


New Music From Topknot: "All My Love"

81936537_1215560585300089_1227754549461123072_o.jpg

My friend Trenton Wheeler (formerly of Seryn) has a new project called Topknot. They just released a new single, “All My Love.” Trenton says this of the track on Facebook:

“ALL MY LOVE releases at midnight on Friday and I am wildly excited to share with you this simple message. I wrote this one during a time when my heart was deeply heavy over the way I watched our leaders mistrust & mistreat human beings because they come from somewhere else, or because they believe something different; those seeking refuge from tyranny, and those seeking justice.

We are all connected, and I do feel that we have a responsibility to one another to employ compassion and love. I felt guilty that while I groaned about the decisions of my government, I sat in the comfort of my home doing little to change it. In this I was reminded that I cannot change others, but I can change myself. This one is for the disenfranchised, those of us struggling, feeling hopeless or unloved. You are not alone in this life. You are loved. ❤️”

Holiday at the Sea's Favorite Music of 2019

Screen Shot 2019-12-07 at 6.55.45 PM.png

2019 has been a great year for music. From 30-minute mind-melting jams to Tuareg guitar and all kinds in between. I LOVE year-end lists. I love seeing what other people loved, especially if I can find something I hadn’t heard before. And to a lesser extent, who doesn’t like having their tastes confirmed by people much cooler?

But I don’t necessarily like ranking everything. After all, every list is subjective. And is there really any music that is “best”? Maybe you preferred one album to others, but does that really mean it’s “better”? Excuse me while I step off of my soapbox.

And I don’t like not hearing what people recommend. So, as you already know, I made a four-volume mix of some of my favorite music of the year, which I hope you’ve already checked out. If not, feel free to do so here and here and here and here. Also, just one more time of review, I chose 50 songs this year but only 49 albums since ‘Sideways’ by Seryn was released as a single.

Now that you’ve had a chance to to hear the songs, here is the complete list in alphabetical order.

  • I Was Real by 75 Dollar Bill

  • Mandatory Reality by Joshua Abrams & Natural Information Society

  • Ancestral Recall by Christian Scott aTunde Adjuah

  • U.F.O.F. by Big Thief

  • Sahari by Aziza Brahim

  • RE_CORDIS by Bruno Bavota

  • i,i by Bon Iver

  • V by The Budos Band

  • African Giant by Burna Boy

  • Shepherd In A Sheepskin Vest by Bill Callahan

  • Ghosteen by Nick Cave and the Bad Seeds

  • All My Relations by Cochemea

  • A Good Time by Davido

  • Grow Towards The Light by Dire Wolves

  • Sun Cycle / Elk Jam by Elkhorn

  • Pianoworks by Eluvium

  • Blue Values by Eamon Fogarty

  • All Time Present by Chris Forsyth

  • Gold Past Life by Fruit Bats

  • One Of The Best Yet by Gang Starr

  • One Step Behind by Garcia Peoples

  • The Unseen In Between by Steve Gunn

  • Back At The House by Hemlock Ernst and Kenny Segal

  • The Gospel According to Water Joe Henry

  • Terms of Surrender by Hiss Golden Messenger

  • More Arriving by Sarathy Korwar

  • Miri by Bassekou Kouyate & Ngoni Ba

  • Sauropoda by L'Eclair

  • Ilana (The Creator) by Mdou Moctar

  • Stars Are The Light by Moon Duo

  • Three Chords and the Truth by Van Morrison

  • All Mirrors by Angel Olsen

  • Desire Path by One Eleven Heavy

  • Phoenix by Pedro the Lion

  • Rainford by Lee “Scratch” Perry

  • Purple Mountains by Purple Mountains

  • Rose City Band by Rose City Band

  • ‘Sideways’ by Seryn

  • Out of Darkness by Some Dark Hollow

  • Illegal Moves by Sunwatchers

  • Amankor / The Exile by Tartit

  • Amadjar by Tinariwen

  • Preserves by Matt Valentine

  • Father of the Bride by Vampire Weekend

  • Remind Me Tomorrow by Sharon Van Etten

  • Come On Up To The House: Women Sing Waits by Various Artists

  • Water Weird by Wet Tuna

  • Ode To Joy by Wilco

  • The Sisypheans by Xylouris White

  • Walk Through The Fire by Yola

///////////////////////////////////////////////////////////////////////////////////////////

  • Listen to Volume 01 of my 2019 Year-End Playlist

  • Listen to Volume 02 of my 2019 Year-End Playlist

  • Listen to Volume 03 of my 2019 Year-End Playlist

  • Listen to Volume 04 of my 2019 Year-End Playlist

    ///////////////////////////////////////////////////////////////////////////////////////////

Holiday at the Sea’s Favorite Music Label of 2019

L-493271-1462371599-8187.jpeg.jpg

My Favorite music label of the year would have to be, without a doubt, Brooklyn’s Beyond Beyond is Beyond. Self-describes as: "“Music for Heads, by Heads,” which just about sums it up. More a vibe than a genre. A way of thinking than a particular style.

With five out of my favorite 49 albums of the year; (Dire Wolves, Garcia Peoples, L'Eclair, One Eleven Heavy, and Matt Valentine (plus, if I had expanded my list or included an “Honorable Mentions” section, this list would have expanded even more. That De Lorians is really good to mention only one more), no other single label presented as much music that I wanted to hear this year.

I can’t wait to hear what’s next.

  • Visit the Beyond Beyond is Beyond website

  • Visit Beyond Beyond is Beyond’s Bandcamp page for all the goodies

  • Follow the label on Facebook

  • Follow them on Twitter

Holiday at the Sea's Favorite 2019 Music Mix (Volume 01)

Screen Shot 2019-12-07 at 6.55.45 PM.png

I love year-end lists.

I love to see what other people loved. Especially people I respect who can introduce me to new music (and to a lesser extent, have my tastes validated by people cooler than me). But I don’t dig ranking everything. After all, it’s all subjective in the first place. You may not like what I like, and I probably don’t like what you do, and that’s OK. The past couple of years, I’ve done unranked, alphabetical lists. But this year I’d doing something different. (though there will still be an unranked, alphabetical list at the end).

Over the next several days, I’ll post four different playlists of some of my favorite music of 2019; selections from my favorite albums. Each mix is as close to an hour as I could get it. There are 50 songs, but if you want to be specific, there are only 49 albums represented since ‘Sideways’ by Seryn was released as a single and not part of an album. After lots of finagling, I just decided to leave it that way. It is what it is and it is all great. I hope you enjoy. Here’s the first installment.

Volume 01:

Volume 01 Tracklisting:

  1. ‘Out Of The Blue’ by Bruno Bavota from the album RE_CORDIS

  2. ‘Cuatro Proverbios’ by Aziza Brahim from the album Sahari

  3. ‘Tetuzi Akiyama’ by 75 Dollar Bill from the album I Was Real

  4. ‘All My Relations’ by Cochemea from the album All My Relations

  5. ‘Family and Loyalty’ by Gang Starr from the album One Of The Best Yet

  6. ‘Harmony Hall’ by Vampire Weekend from the album Father of the Bride

  7. ‘Taqkal Tarha’ by Tinariwen from the album Amadjar

  8. ‘Tomorrow Might as Well Be Today’ by Chris Forsyth from the album All Time Present

  9. ‘Wiwasharnine’ by Mdou Moctar from the album Ilana (The Creator)

  10. ‘Slabs of the Sunburnt West’ by Hemlock Ernst and Kenny Segal from the album Back At The House

  11. ‘Fall in Your Love’ by Moon Duo from the album Stars Are The Light

  12. ‘I Need a Teacher’ by Hiss Golden Messenger from the album Terms of Surrender

  13. ‘Gold Past Life’ by Fruit Bats from the album Gold Past Life

  14. ‘Sideways’ by Seryn // Released as a single

  15. ‘Afous Dafous’ by Tartit from the album Amankor / The Exile

  16. ‘Fear Song’ by Rose City Band from the album Rose City Band

///////////////////////////////////////////////////////////////////////////////

  • Listen to Volume 02 of my 2019 Year-End Playlist

  • Listen to Volume 03 of my 2019 Year-End Playlist

  • Listen to Volume 04 of my 2019 Year-End Playlist

Seryn Goes Sideways

thumbnail.jpeg

Seryn, one of my favorite bands on the planet (and that’s saying a lot seeing as how I did a Global Music podcast every week for a year) is releasing two versions of their previously unreleased song ‘Sideways.” Though they have been known to perform the song live at Habañero Collective House Shows (it is mislabeled here as ‘Spoke’ but it’s the same song, way back in 2013), it appeared on a compilation album but has not been officially released by the band until now.

Seryn’s Trenton Wheeler (now of Topknot) posted about the song on Instagram:

Hey friends, after reuniting all 10 past members of Seryn on stage for Homegrown Music Festival, we decided to unearth two recordings of our song “Sideways”. Both versions of this song stand uniquely apart sonically, but as if each were a time capsule, sound distinctly like Seryn from phases of our changes.

Nathan Allen tells the song’s story well: “We began this tune whilst stranded somewhere between Austin and Midland while we waited for AAA to bring us gas. Chris Semmelbeck on banjo, Aaron Stoner on guitar, Chelsea banging rocks for percussion. Trenton sang and we made voice memos on our phone.

Years later while working on “Shadow Shows” we all piled into the live room at Redwood Denton and did our rendition all together. Leon Carlo, Chris Semmelbeck, and Jenny were there with us, and we love the sound that you can only get when singing together into one microphone. For some reasoning I’ve long since forgotten we decided to not include it on Shadow Shows.

Fast forward a few years, and we’re living in Nashville. Larry Kloess reaches out about a compilation for Cause A Scene and we said yes. We went to Alex Gilson’s studio with Scarlett Deering and Jordan Rochefort we crafted a slightly updated idea on the tune. This is the first time it will be available outside of the limited compilation.”

Nathan Allen adds on Instagram:

We’re super pumped about being stoked to give some new music away. Inspired by our non-reunion this past April we put in the last little bit of work to get this all tightened up for y’all. It’s actually two versions of the same song, which as a long time fan of classical music and a self-described songwriter, tickles my sweet spot.

We began this tune whilst stranded somewhere between Austin and Midland while we waited for AAA to bring us gas.

The Habañero Collective team recently caught up with Seryn’s Nathan and Trenton to get some more context for the song, to see what the band has been up to and what’s next:

Anything else you'd like to add about the origins of the song? Any idea what year-ish the song was first written?

Nathan: Belowis an excerpt from an interview in 2011, so the song must have begun sometime then... It has evolved since then, but still brings back memories of this fateful event. 

We were in an FJ Cruiser, the 5 of us driving out in West Texas in the middle of nowhere and we had to walk 100 miles to get gas because we ran out of gas because there was no gas station. And by the side of the road we started playing banjo and guitar and writing some new music and just like, that eureka moment, and you’re surrounded by 4 other really amazing people playing this really awesome music on a highway in West Texas, and it’s just this moment like “this is where we are”.

It’s just about getting stuck in a situation and having to stop for a second and access what’s actually going on and maybe be honest with yourself in the situation and then that’s how you find your way out of either a positive or negative situation into the next situation that you’re going to find yourself in.

Why release it now?

Nathan: It was something that came up in conversation earlier this year around playing Homegrown Festival X. We just realized that upon further listening that the song held up, and although it didn't quite fit Shadow Shows, it still deserved to see the light of day. Hopefully fans of our music will appreciate having the song available to them. 

Trenton: After plenty of time and playing HGX helped mend some of the bridges that collapsed between us, we finally had the ability to see the good in what we had created together. There was a “why not?” mentality knowing that there was nothing to lose in sharing some of what was already ready to be shared.

It’s been a while since we’ve heard from you. What has everyone been up to?

Nathan: Mostly being a dad! Thats pretty full time but I've also been working on tons of outside projects which should all be coming out in 2020. Including a record I made with my brother, Tim Allen, for our project "Brother Band" and that is coming out in March of 2020. I've also learned how to engineer, produce, and master. I found out mixing is not my thing, but I love all other parts of the process. It’s been a quiet but productive couple of years for me. 

Trenton: I started a new project called Topknot and will begin releasing new material and touring again in 2020. It’s definitely been an emotional journey discovering an identity outside of one that basically defined the decade of my 20’s, but in that I’ve created some of my favorite music and can’t wait to share it with the world!

What's next for Seryn? Is it over for new material?

Nathan Seryn has no concrete plans as of now, and we never really had lots of concrete plans to begin with so honestly its anybody's guess. We do have another song coming out on January 3rd of next year. It is called "Peeling Paint" and we wrote it with Lincoln Parish, who is an accomplished songwriter and producer in his own right. 

Trenton: To some degree, Seryn will always be a part of who we are, but going into a season of releasing new music under new projects will only highlight the different strengths that each member of The band brought to the table. Like deconstructing a well-crafted cocktail and tasting what each ingredient brings to the whole.

Could you share a little about the Homegrown Festival appearance; How it felt to have founding and "2.0" members gathered all together and how it came together?

Nathan: Having everyone there with their new significant others, children, and other important people really felt like a magical moment. It was oddly healing and not chaotic at all. Some of the folks hadn't ever actually met, so that was crazy. It was just a ton of fun to all be together again. Everyone just knows the drill and the flow of Seryn. We all fell right back into it. 

Trenton: It was a strong turning point for me creatively; feeling the strength in unity again, speaking forgiveness to one another over pains we had created, laughing and making old jokes, and really feeling like I could embrace what we had then and still excited look forward to new things to come.

With the move to Nashville by you all, has it led to closer friendships and a drive to create more music? Different styles?

Nathan: I think after taking time off, we are all starting to recognize how deep our bonds and brotherhood truly goes. I would do anything for any of the guys and girls I've shared the van and stage with, especially Seryn. I 200% support and champion everything they do as much as possible, and I encourage everyone to do some research and dig into what everyone has been up to. 

I think the answer to your question is no. None of us has gotten into country music..... 

Trenton: Nashville is amazing and a deep wellspring of creativity, but it can be daunting and intimidating at the same time. It’s a rollercoaster of a city for sure.

Specifically outside of what you all have created together? Has that given any of you a drive to redevelop Seryn?

Nathan: I think Seryn can never be redeveloped the way it was, it was too destructive internally and very un-hinged from an organizational perspective. I would love to see something new rise from the ashes where we can all play together and give life to the music again, perhaps from a more humbled and gracious place. 

Trenton: Agreed.

  • Visit my previous post “Seryn at the Thomas Listening Room (06/25/11)”.

  • Visit my previous post “Seryn at the Thomas Listening Room (08/25/13)”.