Since you, dear friends, trust my musical explorations, I know you remember my recent post about Shabaka and the Ancestors: Soul Jazz For The End of Days.
Between Shabaka and the Ancestors, Sons of Kemet, and The Comet is Coming, I dig the musical universe of Shabaka Hutchings in a way I have dug a musical universe in quite a while. While Shabaka and the Ancestors scratch my soul/spiritual-groove-roots-jazz itch, The Comet Is Comet channels my Quarantine angst with electronics, pulsating beats and skreeking skronks and some of the most evocative playing I’ve heard in a while.
The group’s Facebook page says:
“The Comet is Coming to destroy illusions. It will manifest new realities, perceptions, levels of awareness and abilities to coexist. It is a musical expression forged in the deep mystery. It is the overcoming of fear, the embracing of chaos, the peripheral sight that we might summon the fire.
Through the transcendent experience of music we reconnect with the energy of the Lifeforce in hope of manifesting higher realities in new constructs. Because the end is only really the beginning.”
Late last year, the group recorded an NPR Tiny Desk Concert, performing tracks from Trust in the Lifeforce of the Deep Mystery.
