Dogwood Tales :: 13 Summers 13 Falls

The days get shorter and the nights get longer. And colder. As the darkness settles in we wrap ourselves in Harmonies, heartbreak, and hope. The ashes of loss still contain the embers of hope.

Wilco, Son Volt, and Whiskeytown will be obvious touch-points for many, but Dogwood Tales have crafted their own voice (with killer harmonies).

Album opener circles the refrain:

“It’s hard to be in the right place
for the right thing all the time.
It’s hard to be anywhere when I got you on my mind.”

There’s a sense of being caught in a winter storm here sometimes. Our protagonists sometimes don’t quite sure where’ they’re going or even who they are. But there is a pervasive sense of hope throughout the EP. Pedal steel laces through the often forlorn lyrics ushering us in to moments of hope. Even though the nights are long, morning’s on its way. These songs explore love, loss, and heartbreak with clear-eyed honesty. Sometimes it’s hard and we’re not sure where we’re going or if we’ll make it, but the days will again wash in and the light will eventually return. Sometimes the best we can do is hold out for the hope of a better day to see us through the long winter nights.

“Hold You Again” doesn’t back down from the truth of lost chances and lonely new realities. “I know I may never feel it again,” they sing, but we get the sense that it was still worth it. The bright melody and washes of feedback are a sonic blanket against the cold reality. The push and pull; the give and take of life and love try to find their balance in these 5 songs. “It feels like a matter of time before the dark gets hold of me.”

“25” opens with the lines “I just want to wake up and feel like I’m alive because I’ve got some cousins that didn’t see 25.” There is a stark wrestling with reality. These lyrics don’t shy away from death and loss but they don’t swirl the pity party drain either. There’s a search throughout these songs; here’s the reality; we love, we lose, we die, and we try to make sense of it all. What’s it all about? What’s it’s all for? Is the power of love enough to see us through these long dark nights? Dogwood Tales think so and invite you into their sunbaked cosmic Americana world to see what you think. Whatever your conclusion, this is music for those long dark winter nights when we need to be reminded that the light will eventually return. “we’ve still got miles of road to go” they sing on the title track and there is a sense of surety that we’ll get there eventually.

Highly recommended

The Deets:

WH065
Dogwood Tales - 13 Summers 13 Falls

01. Hard To Be Anywhere
02. Hold You Again
03. 25
04. Since Yesterday
05. 13 Summers

credits

releases November 18, 2023 on WarHen Records

Kyle Grim - Acoustic Guitar, Vocals
Ben Ryan - Electric Guitar, Vocals
Stephen Kuester - Pedal Steel
Danny Gibney - Bass, Organ, Wurlitzer & Piano
Jake Golibart - Drums & Percussion

Produced by Erik Kase Romero
Recorded by Erik Kase Romero and Danny Gibney
All tracks Mixed by Danny Gibney except Hold You Again by Adrian Olsen
Mastered by Garrett Haines
Photograph by Kyle Grim


Check out a recent live session from earlier this year:


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Meat Puppets Ring In The New Year (Just Not This One)

The Meat Puppets play a private party in Tempe, AZ 12/31/99.

Only two songs.

But two glorious songs.


Setlist:

  1. Seal Whales

  2. Up On The Sun


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Rainermentals :: A Holiday At The Sea Playlist

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Here’s a playlist of some Rainer Ptacek instrumentals. I remember making this mix when we lived in KY, so it must have been around 2003 or 2004 and I’ve listened to it a ton since then.

18 tracks taken from 4 different albums (follow the key after each song title).

Enjoy.

Tracklisting:

  • Here Comes Lilly? (#)

  • Cheeseball (&)

  • Instrumental #13 ($)

  • Di Lantin

  • Ode to N2O (&)

  • Instrumental #5 ($)

  • Opening Aunt Dora’s Box in 6/8 (&)

  • Instrumental #10 (chore ending) ($)

  • Improv in E (%)

  • Instrumental #9 (wait a minute) ($)

  • Within You Without You (&)

  • Horse Hair (#)

  • Instrumental #3 ($)

  • Curiouser and Curiouser (&)

  • Instrumental #4 (slight humming) ($)

  • Shifting Blues ($)

  • Instrumental #6 ($)

  • Arabing ($)

  • # = Alpaca Lips (2000)

  • & = Nocturnes (1995)

  • $ = The Farm (2002)

  • % = Live At The Performance Center (2000)


  • Visit Rainer Ptacek’s official website.

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  • Visit previous posts about Rainer.


Giant Sand, Live at Mad Dog Studios/The Atlantic Session (01/30/90)

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I don’t know if it’s still around, but when we lived in KY (roughly 2002-2005), I was part of The Sandman Series. This was a CDR series of bootlegs organized by Jim Blackman and Howe Gelb. Basically, the way it worked was that CDRs were sent out to “seeders.” I was a seeder. The seeders committed to recording and mailing the CDRs to a certain number of people (I think it was around 10 but I really don’t remember). I seeded several different discs, but the one I still return to most was called The Atlantic Session.

The core group (at that time) of Howe Gelb, John Convertino and Joey Burns recorded this set as a demo for Atlantic Records at Mad Dog Studios in CA. It was never officially released until the Sandman Series helped bring it to the light of day. As the name suggests, this is a studio recording. The band is tight and the tunes are bitchin.

The set is available at the fantastic Archive.org.

Dive right in.

  • Visit Giant Sand/Howe Gelb’s official website.

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  • Follow Howe Gelb at Facebook.

  • Visit the Archive.org page for the show.

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  • Purchase Giant Sand music at Amazon.

Giant Sandworms: "Body of Water"

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Videographer Ray Frieders recently posted on Facebook:

“37 years ago today at Gates Pass, a spectacular backdrop for Tucson’s own Giant Sandworms. “Body of Water” was directed by Tony Sotelo and was the first of many 80’s music videos that I shot and edited. I am very fortunate to have these photos and some amazing memories! I am not sure what I love most, my full head of hair or the fact that I “borrowed” a KVOA news camera for this shoot.”

“Before Giant Sand there was Giant Sandworms, Howe Gelb's first band in Tucson. Here is their debut music video from 1983.

  • Howe Gelb - Guitar, Vocals

  • Dave Seger - Guitar, Vocals

  • Billy Sed -Drum, Vocals

  • Scott Garber - Bass”

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Rainer Ptacek (KUAT Profile and 'Worried Spirits')

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I posted about Tucson’s (by way of Chicago by way of East Germany) Rainer Ptacek back in August, featuring two live sets from the Live Music Archive.

Rainer is one of my favorite musicians, especially his instrumental tracks and his dobro playing, but that’s probably another post. He plays the same instruments as a lot of other people, but he doesn’t play them like a lot of other people. For now, let’s watch a 1997 KUAT feature profile.

The video’s Youtube page says: “A feature on Rainer Ptacek produced for KUAT-TV's Arizona Illustrated in 1997. Includes interview footage with Howe Gelb (Giant Sand).”

This profile aired some time in 1997 which would have been about a year after he was riding his bike to work at a guitar shop and suffered a seizure which revealed that he had a brain tumor. After surgery, and almost unbelievably, Ptacek re-taught himself how to play guitar. He talks about the weight of the experience in this profile. Plus a quite young looking Howe Gelb.

Knowing that he didn’t make it, the moment he gets his daughter Lilly a cookie, gets me every time.

And next we have the ‘Worried Spirits’ video. The video’s page says: “Worried Spirits -- previously unreleased video. It was intended to be released with the CD 'The Best of Rainer - 17 Miracles' as a bonus video.”

  • Visit Rainer Ptacek’s official website.

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  • Purchase Rainer’s music at Amazon.

  • Visit previous posts about Rainer.

Rainer Radio 1983 and 1986

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If you’re not familiar with the music and life of Arizona (by way of Germany)’s Rainer Ptacek, then let’s rectify that (though for a much better and fuller account, please read the piece by Fred Mills at the official Rainer website).

Born in East Berlin to parents of Czech and German descent, Rainer’s family fled East Germany for the United States when he was only five years old. Young Rainer was exposed to the Blues while the family lived in Chicago before landing West in Tucson in the 1970s.

Later that decade, Ptacek helped found the Giant Sandworms with Howe Gelb, a band which would later more into Giant Sand, also launching the Calexico story. Ptacek also played solo and with his own band Das Combo.

According to the Wikipedias,

“Although he never became well known in the United States, he became more and more recognized in Europe. ZZ Top guitarist Billy Gibbons was so impressed with the singer-guitarist that he arranged to have Kurt Loder review Ptacek's "Mush Mind Blues" cassette in Rolling Stone. Ptacek later traveled to Houston at the invitation of Billy Gibbons to record at Gibbons' Gold Star Sound Services studio which saw release as "The Texas Tapes" meeting international attention and approval. Robert Plant, similarly impressed, flew Ptacek to England for the sessions for B-sides to supplement the singles from Fate of Nations.”

The article continues:

“After suffering a seizure while riding his bike to work in February 1996, Ptacek was diagnosed with a brain tumor in February 1996. He was uninsured and was overwhelmed by his mounting medical expenses. Howe Gelb and Robert Plant organized recording sessions for a fund-raising tribute album. The resulting record, The Inner Flame - A Tribute to Rainer Ptacek, featured Ptacek-penned songs performed by Gelb (with Giant Sand), Plant, Jimmy Page, Emmylou Harris, John Wesley Harding, Evan Dando, Victoria Williams, Mark Olson, Tina Chesnutt, Vic Chesnutt, PJ Harvey, John Parish, The Drovers, Madeleine Peyroux, Kris McKay, Chuck Prophet, Jonathan Richman, Lucinda Williams and Bill Janovitz. Ptacek is a participant on most of the tracks.

Intense chemotherapy sessions put his tumor into remission, and Ptacek's musical skills and creativity both returned. He resumed his concert activity vigorously, beginning with a guest performance at Greg Brown's show in November 1996. By this time, media attention was more focused on him than ever before. On December 17, 1996, he performed a show for 300 doctors, nurses, and patients at the hospital where he was being treated. Just when it seemed as though he had beaten his disease, it recurred in October 1997, and he died three weeks later at age 46.

What the Wikipedia blurb fails to mention is that Rainer re-taught himself to play guitar. Imagine that.

Anyway, today we feature two live performances from the 1980’s. Each is made available by the amazing Jim Blackwood. Visit the Live Music Archive page for each show for specific notes, to stream or download for yourself (1983 // 1986)

Rainer Live at KXCI-FM Studios on 1983-12-05

Rainer Live at The Sound Factory on 1986-04-08

  • Visit Rainer Ptacek’s official website.

  • Purchase Rainer’s music at Bandcamp.

  • Purchase Rainer’s music at Amazon.