Ali Akbar Khan: Live from Delhi (1981)

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Today we feature a 1981 concert from Sarod master Ali Akbar Khan in Delhi.

I originally got this recording in my tape-trading days by mistake. I was doing a big trade with a guy, like 10-12 shows. Mostly jazz/funk/groove/jam type stuff (Medeski Martin and Wood, Galactic, Greyboy Allstars, that kind of thing). When the other package arrived, there was one unmarked CDR. I e-mailed the guy and asked what it was because when I put it in my player, no information came up. The other person said they had not meant to that CDR to be in my box, it was supposed to go to someone else, but that it was a recording of Ali Akbar Khan in concert.

In all honesty, I was not ready for this music then and the CDR sat in a pile for years. Then, one day a few years ago, as my musical palette was expanding, I not only pulled out the concert but looked it up online to learn more. The fantastic Flat, Black, and Classical came to the rescue with a full-write-up! Included in their piece are the following observations and details:

The two pieces on this cassette almost sound like two different concerts (which could be the case). An alternative explanation for the differences in aural character between the two is that adjustments at the mixing desk were made during the show, which can often occur.

The first piece is an alap and jod section of Raga Miyan ki Malhar. This has a slightly dull upper end and some minimal distortion at the dynamic peaks. I would have though it was an issue with azimuth adjustment, but the fact is that the second piece sounds more full and with a crisp upper end in comparison. Because of the way cassettes are made, a cut had to be made in the longer piece so that the sides were about equal in timing. The first section of Raga Desh Malhar is on the same side of the tape as the entire alap and jod of Raga Miyan Ki Malhar, but sounds exactly like the rest of the raga on the other side of the tape. So it was not a case of one side of the tape being played with incorrect azimuth. I stitched together the longer piece in a way that is noticeable but not jarring.
Overall, it is an extremely enjoyable live performance from Ali Akbar Khan and tabla maestro Shankar Ghosh, who unfortunately died in late January of this year.


Ali Akbar Khan: Sarod
Shankar Ghosh: Tabla

Side 1: Raga Miyan Ki Malhar: alap and jod
Side 2: Raga Desh Malhar: gats in vilambit (slow) teentaal and medium

I don’t know where your musical palette is at these days, but I highly recommend serenading your Quarantine with some Sarod.

Sun City Girls: Cloaven Theater

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Deep from the bowels of the Interwebs, we spelunked this gem from 1994.

From the notes on the Youtube page:

“1994: VHS video (Abduction: Video 1)

A mind control experiment shot and edited at the cable public access studios of Viacom in Seattle (after TCI pulled the rug out from under us). It was supposed to be aired, but Viacom's tech guy screwed up the dub and it never did. So it was released on VHS. “

Guest appearances by:

  • Eddy Detroit and Adam Burke (percussion on "The Venerable Song"),

  • Eddy Detroit (goat calls on "Sam Manilla" and "Brothers Unconnected").

Includes a "video comic book" by Blaine Thurier, narrated by Charles Gocher.

Filmed by: Charles Gocher, Greg Hynes, Javier Gallegos, Keith Parry, Steve Reetz, Erin Lofton, and Bohemia Afterdark.

Songs and ???:

* Flippin the Bird
* An Old Eyeball in a Quart Jar of Snot
* Music For the Funeral of Drama City
* Nay Bah Zay
* Bail Out of Jail
* The Brothers Unconnected
* Bliss of Coma
* Drifting in Smiles
* The Venerable Song Pt. 1 (the meaning of which is no longer known)
* Hitman Boy
* No, There I Go
* Out on the Dixie
* The Momentary Fugitive
* The Venerable Song Pt. 2
* Sam Manilla
* Mamas Milk (Too Dry)
* It's Not a Real Knife
* Let the Night Roar



Herbie Hancock and the Headhunters November 1974 on Radio Sendesaal

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One of the things I periodically do here at the music blog is revisit some of the things I picked up when I used to do a lot of tape-trading. Years ago, I picked up this little three-song Herbie Hancock and the Headhunters radio appearance and it’s been one of my favorite live recordings for a long time.

There’s something undeniable about Herbie Hancock and the Headhunters. Primordial, gutteral, visceral, groove-yo-booty stuff right here. Even Pitchfork agrees.

Today, for your interstellar auditory transport, we present: Herbie Hancock and the Headhunters November 1974 on Radio Sendesaal. I don’t know if live Herbie shows are your sort of thing, but if they are, I highly recommend visiting the Herbie Hancock section over at the blogspot (yes, that’s still a thing) Never Enough Rhodes, which is currently up to 53 concert recordings!

At only 3 songs and 39 minutes, this one deserves to be on repeat.

Today’s little nugget features:

  • Herbie Hancock - keyboards

  • Bennie Maupin - reeds

  • Paul Jackson - bass

  • Mike Clark - drums

  • Bill Summers - percussion

If this type of thing whets your whistle, you might want to head over to Aquarium Drunkard and watch video from the same tour.

  • Visit Herbie Hancock’s official website.

  • Visit Herbie Hancock at Facebook.

  • Follow Herbie Hancock at Twitter.

  • Purchase Herbie Hancock’s music at Amazon.

McCoy Tyner and Freddie Hubbard (McCoy Tyner Trio at Jazztage Stuttgart 1990)

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With the recent passing of jazz legend McCoy Tyner, this seems like as good a time as any to watch the 1990 1990 McCoy Tyner Trio Set from Stuttgart featuring Freddie Hubbard.

The Take The "A" Train blogspot offers the following background for the concert:

“A torrent of notes on keyboard and flugelhorn. Three decades after the photograph above was taken, pianist McCoy Tyner and trumpeter Freddie Hubbard are back together, this time in Stuttgart, Germany.

Freshly digitized from a nearly disintegrating VHS tape (while the image remains amazingly intact, reminding us about the virtues of analogue formats that at least allow for some sort of extraction), this exciting concert is the complete TV broadcast of McCoy Tyner Trio featuring Freddie Hubbard and Ralph Moore.”

Jazztage '90
Stuttgart, Germany
July 13, 1990

  • Freddie Hubbard (t, flugelhorn),

  • Ralph Moore (ts, ss),

  • McCoy Tyner (p),

  • Avery Sharpe (b),

  • Aaron Scott (d)

Tracklisting:
00:00 Introduction in German
01:08 Dear John
14:20 Twilight Mist [only the trio]
23:30 Embraceable You 
32:40 Reinhold Beckmann interviews Tyner and Hubbard
40:31 One Of Another Kind

  • Visit McCoy Tyner’s official website.

  • Follow McCoy Tyner’s Facebook page.

  • Purchase MCoy Tyner’s music at Amazon.

  • Visit Freddie Hubbard’s page at Blue Note Records.

  • Purchase Freddie Hubbard’s music at Amazon.


Giant Sand, Live at Mad Dog Studios/The Atlantic Session (01/30/90)

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I don’t know if it’s still around, but when we lived in KY (roughly 2002-2005), I was part of The Sandman Series. This was a CDR series of bootlegs organized by Jim Blackman and Howe Gelb. Basically, the way it worked was that CDRs were sent out to “seeders.” I was a seeder. The seeders committed to recording and mailing the CDRs to a certain number of people (I think it was around 10 but I really don’t remember). I seeded several different discs, but the one I still return to most was called The Atlantic Session.

The core group (at that time) of Howe Gelb, John Convertino and Joey Burns recorded this set as a demo for Atlantic Records at Mad Dog Studios in CA. It was never officially released until the Sandman Series helped bring it to the light of day. As the name suggests, this is a studio recording. The band is tight and the tunes are bitchin.

The set is available at the fantastic Archive.org.

Dive right in.

  • Visit Giant Sand/Howe Gelb’s official website.

  • Follow Giant Sand at Facebook.

  • Follow Howe Gelb at Facebook.

  • Visit the Archive.org page for the show.

  • Browse all posts marked “Giant Sand” here at Holiday at the Sea.

  • Purchase Giant Sand music at Amazon.